Broadway Access Review -
The Who’s Tommy

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ID: image of the Who’s Tommy Playbill in front of the stage with the text "Access Review" on top

 

General Note

This is a review of the accessibility of the theater, of the lighting/sound/scent design of the show, and a list of content warnings as a way to prep folks with various needs before they go see it. 

This is not meant to scare anyone away from seeing the show. Most productions have about the same amount of content warnings and sensory warnings to go along with it, they’re just rarely explicitly written down. 

For some people, knowing these things ahead of time makes it easier to enjoy the show because they know what to expect. And, often, makes those people more likely to see it in the first place. I hope that it’s helpful! 

I am also happy to clarify any specifics, just send me a message or an email and I will respond when I can.

Theater

Nederlander Theatre

All comments on the accessibility of lighting are in reference to seats in the far back center/right mezzanine

Bathrooms:

  • no explicitly gender neutral options

  • located up the central staircase (above the orchestra) and there is one non-gendered accessible restroom on the far left of the orchestra

  • the stalls have really clear red/green vacancy labels

  • there are 2 steps up/down in the bathroom

Other theater accessibility:

  • there is no elevator, though street to orch is step-free

  • they have several accessible seats, as well as an accessible bar on the orchestra level

  • they offer captioning, audio description, and assistive listening options

Click here for more information on the physical accessibility of this theater.

Light/Sound/Scent

General:

  • I would highly recommend earplugs for anyone going to see this show regardless of typical sensory needs, it is Loud. I was fine with just my Loops. 

  • the sound mixing makes it hard to understand what is being sung, so if you get exhausted from trying to understand audio, read the plot synopsis beforehand!

  • the giant center stage mirror is a real mirror so just. accidental strobe whenever it’s onstage

  • I found the lighting/sound  similar to the sensory experience of Here Lies Love, Six, and Moulin Rouge

  • the show utilizes a lot of projections on the sides and back of the stage (it’s kinda constructed like rectangles within rectangles) Most of the lighting access issues come from those, not from lights

  • everything on the stage has a neon/LED-esque border

  • Captain Walker smokes a lot, I don’t know if that could be smelled by the audience at all I would highly recommend earplugs for anyone going to see this show regardless of typical sensory needs, it is Loud. I was fine with just my Loops. 

  • the sound mixing makes it hard to understand what is being sung, so if you get exhausted from trying to understand audio, read the plot synopsis beforehand!

  • the giant center stage mirror is a real mirror so just. accidental strobe whenever it’s onstage

  • I found the lighting/sound  similar to the sensory experience of Here Lies Love, Six, and Moulin Rouge

  • the show utilizes a lot of projections on the sides and back of the stage (it’s kinda constructed like rectangles within rectangles) Most of the lighting access issues come from those, not from lights

  • everything on the stage has a neon/LED-esque border

  • Captain Walker smokes a lot, I don’t know if that could be smelled by the audience at all

Pre-Show: flickering screen (kind of like static) and airplane noises with booms

Act I:

  • Overture: this entire song has a scrim in front of it so everything on stage  feels a bit blurry to the eye

    • underlying rumble/boom during the start that shakes the seats a bit, followed by a moment of silence

    • moving text and projections on the scrim, flashing white light on the welder 

    • after they kiss there are flashing newsreels, bomb noises that shake the theater, and a flashlight gets pointed at the audience

    • then the bombs increase in volume and there are more  flashes on the screens 

    • lights move up after the jump

    • several gunshots while he is flying, then really fast moving white specks

    • then the scrim moves out and everything onstage visually expands

  • Captain Walker

    • side bits of the stage flash when each officer sings

    • one gunshot

    • jumpy/flashy moving projections

  • Twenty-One

    • flash when Captain enters

    • the fight is really really loud - also gunshot warning

    • white flash after the show

  • “What About The Boy”

    • projections do expanding motion

    • small white flashes

    • offstage whistle, followed by two more you can see 

    • handful of camera flashes

  • Amazing Journey

    • white (and the occasional yellow) camera flashes & alternating white downlights throughout 

    • there are 3 big white flashes, the second is LED/strobey and it speeds up 

    • “to ride” - stage lights up LED back to front very quickly 

    • alternating yellow downlights on Tommy when he’s sitting front center

  • flash & lots of moving/flashing projections when parents & baby Tommy stand center 

  • gavel hit - big boom & white flash/moving projections

  • floor lights slowly rotate when judge talks to Tommy

  • “my love!” - projections return

  • Doctor song - projection of a green scan going across the stage throughout the song

  • “you should know” - LED square does a small strobe as Tommy breaks out

  • alternating purple/yellow lights on Tommy

  • Christmas

    • french horn causes accidental strobe - there also might have been a flash while he was playing? I looked down

    • slow rotating blue on the floor when big Tommy returns

  • Fiddle Around - CW: CSA

    • blue/green light spins and pulses on the bed when it spins

    • big boom & lights on with low sustained rumble when the parents return

  • Cousin Kevin - small flash after “freak”

    • everything gets very loud after he’s at the machine for a bit

  • Sensation

    • purple alternating stripe projections on the walls & quick light shifts throughout

    •  lots of downlight on/offs after big Tommy rights himself

    • floor pinwheels spin during the dance break with big light pulses on certain beats

    • strobey & moving pinwheels for ~3-5 seconds

    • after “light” - 2-3 sec downlight strobe on him

    • big stripe moving across back wall when Tommy crawls out of the pinball machine

  • Doctors pt 2 - green scan returns after the bell exits, big white scan after exit

  • Hawker/Harmonica - moving purple downlight when he enters that may hit the front orchestra

    • each section of the stage flashes white when they get to it

    •  lots of room-shaking booms & flashy projections

  • Acid Queen

    • Hard to keep track of cues here - primarily purple/orange/red, with projections moving like water/fire, lots of smoke, and on-beat light pulses

    • spinning pinwheel downlights when she spins the wheel, followed by spinning lights on the back wall

    • CW: we watch her inject a drug when they leave

  • Pinball Wizard

    • also didn’t keep track of all cues, this is the flashiest song in Act I and you feel the sound in your bones, primarily yellow/teal, lots of sparkly jackets

    • disco balls appear halfway through (lights shift to red/yellow, much flashier here) & the song ends with a big white flash before a blackout

Intermission - there is audio again, unclear what it is? It felt like spa noises but with some booms throughout? Also the static screen is back

Act II:

  • Underture - this song is very spinny and gets increasingly flashy

    • starts with gentle guitar while the lights are on so it’s not suddenly loud

    • spinning hexagon lights that flash on the audience that I think are made of mirrors

  • Doctors pt 3 

    • pulsing downlight on Tommy when being spun in the chair 

    • scan is back when he’s on the table and the walls are flashy

    • LED box strobes when Tommy breaks out of it

  • I Believe My Own Eyes

    • moving projections (getting smaller) when they’re in the car

    • expanding LEDs when they exit

  • Smash the Mirror

    • big flash lights up on early beat

    • when she hits the mirror - big crash noise, big white strobe, and moving/flashing/pixelating yellow for 3-5 sec

  • I’m Free

    • yellow flash when Mrs. W gets to the door

    • white flashes (from projections) throughout

    • big camera flash

    • rash sound during scene change

  • quick moving yellow lines when Tommy enters and then a boom

  • Miracle Cure - words move really quickly over the screens, yellow/blue/red - happens throughout the song with breaks for the news segments

  • Sensation/Free/Pinball reprises

    • “waiting for you to follow me” - white flash on “me”, then moving rainbow lights around 

    • spinning mirror hexagons return, moving rainbow downlights, yellow concert lights move on audience, 2 sec of white strobe, blue then white pointed at audience when he spins, followed by giant crash and then everything goes super white, followed by a moving orange downlight 

    • strobey white downlights when the platform moves, followed by a line of concert lights that travel down the back wall, first pointing at audience and then pointing up

  • Sally Simpson - white flash when she goes to the center and loud bass when she falls off the platform

  • Tommy rips picture (after “more like you”) - everything gets loud & quick white downlight

  • We’re Not Gonna Take It - occasional white pulse on beat

  • Listening To You - lights behind the main 5 when they walk forward might shine on orch & big white flash at the end

  • Bows - orange/yellow flash when Tommy enters

Content Warnings

  • drugs

  • several gunshots 

  • murder 

  • CSA/pedophilia

  • bullying/torture 

  • medical abuse? Sorta? & institutions

  • use of the g-slur (for Romani people) in one song

In regards to disability, the show is a period piece and some now outdated language and stereotypes/physicality of disabled people are used. Tommy’s modern diagnosis would fit somewhere in the realm of cPTSD/autism (with catatonia), though in the show he is referred to and treated as “deaf, dumb, and blind”. There is a large focus on curing him, though much of the show is meant to condemn, not condone, Tommy’s overall exploitation. There is also semi-caricatured use of disabled physicality.