Broadway Access Review -
The Who’s Tommy
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General Note
This is a review of the accessibility of the theater, of the lighting/sound/scent design of the show, and a list of content warnings as a way to prep folks with various needs before they go see it.
This is not meant to scare anyone away from seeing the show. Most productions have about the same amount of content warnings and sensory warnings to go along with it, they’re just rarely explicitly written down.
For some people, knowing these things ahead of time makes it easier to enjoy the show because they know what to expect. And, often, makes those people more likely to see it in the first place. I hope that it’s helpful!
I am also happy to clarify any specifics, just send me a message or an email and I will respond when I can.
Theater
Nederlander Theatre
All comments on the accessibility of lighting are in reference to seats in the far back center/right mezzanine
Bathrooms:
no explicitly gender neutral options
located up the central staircase (above the orchestra) and there is one non-gendered accessible restroom on the far left of the orchestra
the stalls have really clear red/green vacancy labels
there are 2 steps up/down in the bathroom
Other theater accessibility:
there is no elevator, though street to orch is step-free
they have several accessible seats, as well as an accessible bar on the orchestra level
they offer captioning, audio description, and assistive listening options
Click here for more information on the physical accessibility of this theater.
Light/Sound/Scent
General:
I would highly recommend earplugs for anyone going to see this show regardless of typical sensory needs, it is Loud. I was fine with just my Loops.
the sound mixing makes it hard to understand what is being sung, so if you get exhausted from trying to understand audio, read the plot synopsis beforehand!
the giant center stage mirror is a real mirror so just. accidental strobe whenever it’s onstage
I found the lighting/sound similar to the sensory experience of Here Lies Love, Six, and Moulin Rouge
the show utilizes a lot of projections on the sides and back of the stage (it’s kinda constructed like rectangles within rectangles) Most of the lighting access issues come from those, not from lights
everything on the stage has a neon/LED-esque border
Captain Walker smokes a lot, I don’t know if that could be smelled by the audience at all I would highly recommend earplugs for anyone going to see this show regardless of typical sensory needs, it is Loud. I was fine with just my Loops.
the sound mixing makes it hard to understand what is being sung, so if you get exhausted from trying to understand audio, read the plot synopsis beforehand!
the giant center stage mirror is a real mirror so just. accidental strobe whenever it’s onstage
I found the lighting/sound similar to the sensory experience of Here Lies Love, Six, and Moulin Rouge
the show utilizes a lot of projections on the sides and back of the stage (it’s kinda constructed like rectangles within rectangles) Most of the lighting access issues come from those, not from lights
everything on the stage has a neon/LED-esque border
Captain Walker smokes a lot, I don’t know if that could be smelled by the audience at all
Pre-Show: flickering screen (kind of like static) and airplane noises with booms
Act I:
Overture: this entire song has a scrim in front of it so everything on stage feels a bit blurry to the eye
underlying rumble/boom during the start that shakes the seats a bit, followed by a moment of silence
moving text and projections on the scrim, flashing white light on the welder
after they kiss there are flashing newsreels, bomb noises that shake the theater, and a flashlight gets pointed at the audience
then the bombs increase in volume and there are more flashes on the screens
lights move up after the jump
several gunshots while he is flying, then really fast moving white specks
then the scrim moves out and everything onstage visually expands
Captain Walker
side bits of the stage flash when each officer sings
one gunshot
jumpy/flashy moving projections
Twenty-One
flash when Captain enters
the fight is really really loud - also gunshot warning
white flash after the show
“What About The Boy”
projections do expanding motion
small white flashes
offstage whistle, followed by two more you can see
handful of camera flashes
Amazing Journey
white (and the occasional yellow) camera flashes & alternating white downlights throughout
there are 3 big white flashes, the second is LED/strobey and it speeds up
“to ride” - stage lights up LED back to front very quickly
alternating yellow downlights on Tommy when he’s sitting front center
flash & lots of moving/flashing projections when parents & baby Tommy stand center
gavel hit - big boom & white flash/moving projections
floor lights slowly rotate when judge talks to Tommy
“my love!” - projections return
Doctor song - projection of a green scan going across the stage throughout the song
“you should know” - LED square does a small strobe as Tommy breaks out
alternating purple/yellow lights on Tommy
Christmas
french horn causes accidental strobe - there also might have been a flash while he was playing? I looked down
slow rotating blue on the floor when big Tommy returns
Fiddle Around - CW: CSA
blue/green light spins and pulses on the bed when it spins
big boom & lights on with low sustained rumble when the parents return
Cousin Kevin - small flash after “freak”
everything gets very loud after he’s at the machine for a bit
Sensation
purple alternating stripe projections on the walls & quick light shifts throughout
lots of downlight on/offs after big Tommy rights himself
floor pinwheels spin during the dance break with big light pulses on certain beats
strobey & moving pinwheels for ~3-5 seconds
after “light” - 2-3 sec downlight strobe on him
big stripe moving across back wall when Tommy crawls out of the pinball machine
Doctors pt 2 - green scan returns after the bell exits, big white scan after exit
Hawker/Harmonica - moving purple downlight when he enters that may hit the front orchestra
each section of the stage flashes white when they get to it
lots of room-shaking booms & flashy projections
Acid Queen
Hard to keep track of cues here - primarily purple/orange/red, with projections moving like water/fire, lots of smoke, and on-beat light pulses
spinning pinwheel downlights when she spins the wheel, followed by spinning lights on the back wall
CW: we watch her inject a drug when they leave
Pinball Wizard
also didn’t keep track of all cues, this is the flashiest song in Act I and you feel the sound in your bones, primarily yellow/teal, lots of sparkly jackets
disco balls appear halfway through (lights shift to red/yellow, much flashier here) & the song ends with a big white flash before a blackout
Intermission - there is audio again, unclear what it is? It felt like spa noises but with some booms throughout? Also the static screen is back
Act II:
Underture - this song is very spinny and gets increasingly flashy
starts with gentle guitar while the lights are on so it’s not suddenly loud
spinning hexagon lights that flash on the audience that I think are made of mirrors
Doctors pt 3
pulsing downlight on Tommy when being spun in the chair
scan is back when he’s on the table and the walls are flashy
LED box strobes when Tommy breaks out of it
I Believe My Own Eyes
moving projections (getting smaller) when they’re in the car
expanding LEDs when they exit
Smash the Mirror
big flash lights up on early beat
when she hits the mirror - big crash noise, big white strobe, and moving/flashing/pixelating yellow for 3-5 sec
I’m Free
yellow flash when Mrs. W gets to the door
white flashes (from projections) throughout
big camera flash
rash sound during scene change
quick moving yellow lines when Tommy enters and then a boom
Miracle Cure - words move really quickly over the screens, yellow/blue/red - happens throughout the song with breaks for the news segments
Sensation/Free/Pinball reprises
“waiting for you to follow me” - white flash on “me”, then moving rainbow lights around
spinning mirror hexagons return, moving rainbow downlights, yellow concert lights move on audience, 2 sec of white strobe, blue then white pointed at audience when he spins, followed by giant crash and then everything goes super white, followed by a moving orange downlight
strobey white downlights when the platform moves, followed by a line of concert lights that travel down the back wall, first pointing at audience and then pointing up
Sally Simpson - white flash when she goes to the center and loud bass when she falls off the platform
Tommy rips picture (after “more like you”) - everything gets loud & quick white downlight
We’re Not Gonna Take It - occasional white pulse on beat
Listening To You - lights behind the main 5 when they walk forward might shine on orch & big white flash at the end
Bows - orange/yellow flash when Tommy enters
Content Warnings
drugs
several gunshots
murder
CSA/pedophilia
bullying/torture
medical abuse? Sorta? & institutions
use of the g-slur (for Romani people) in one song
In regards to disability, the show is a period piece and some now outdated language and stereotypes/physicality of disabled people are used. Tommy’s modern diagnosis would fit somewhere in the realm of cPTSD/autism (with catatonia), though in the show he is referred to and treated as “deaf, dumb, and blind”. There is a large focus on curing him, though much of the show is meant to condemn, not condone, Tommy’s overall exploitation. There is also semi-caricatured use of disabled physicality.