Broadway Access Review -
Spamalot

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ID: image of the Spamalot Playbill in front of the stage with the text "Access Review" on top

 

General Note

This is a review of the accessibility of the theater, of the lighting/sound/scent design of the show, and a list of content warnings as a way to prep folks with various needs before they go see it. 

This is not meant to scare anyone away from seeing the show. Most productions have about the same amount of content warnings and sensory warnings to go along with it, they’re just rarely explicitly written down. 

For some people, knowing these things ahead of time makes it easier to enjoy the show because they know what to expect. And, often, makes those people more likely to see it in the first place. I hope that it’s helpful! 

I am also happy to clarify any specifics, just send me a message or an email and I will respond when I can.

Theater

St. James Theatre

All comments on the accessibility of lighting are in reference to seats in the front center mezzanine

Bathrooms:

  • no explicitly gender neutral bathrooms but there is a sign that says “Gender diversity is welcome here. Please use the restroom that best fits your gender identity or expression.”

  • located below the orchestra and on the mezz/balcony levels with an accessible one on the orch level

Other theater accessibility:

  • the theater has a step-free entrance to the orchestra

  • there is no elevator

  • they offer audio induction neck loops and infrared headsets at the access booth in the lobby

Click here for more information on the physical accessibility of this theater.

Light/Sound/Scent

General:

  • I did not feel the need to use earplugs for the show

  • during the pre-show and intermission the background was super shaky (I think it was just wind)

  • everything the Lady of the Lake wears is REALLY sparkly and shiny, causes lots of accidental strobe

  • the bottom half of the set has a series of doors that open and close and they are lit behind, I would assume this points at the audience in the orchestra

Act I:

  • giant crash noise when house lights are still up before the show - for us it was about 4.5 minutes after technical show time (so 7:04 ish)

  • “that you are real” - blue moving light, sorta hits audience at first

  • Come With Me: “into my army” - referee whistle, continues through this song; sparkly pom poms; flashing and moving side islands pointed at the stage, also white strobes & moving projections

  • The Song That Goes Like This: onstage smoke at boat entrance (after the candles walk on); blue light washes over audience;

  • “big to small” - quick light change, followed by about 3 more

  • Song when they enter Camelot: neon borders around everything that change color during the song, neon CAMELOT sign above the castle, lots of quick light changes and alternating/moving lights and sparkly things in this number, also when Lady starts scatting the castle projection spins

  • the exit at the end of the Spamalot song is followed by thunder & strobe lighting for about 5 seconds

  • projection behind the holy grail is stripey and spins for about 5 seconds

  • “farewell… farewell” - thunder & lightning again

  • “find your grail” & exit is followed by an entrance through the center door and a blue strobe light on them for ~10-15 seconds

  • white strobing downlights on the Elphaba “ah” when Lady is on the castle

    after the French come out there is a quick light change

  • another big crash right before intermission (it is fairly obvious when it’s going to happen)

Act II: during intermission the stage is lit in blue

  • onstage smoke during the opening

  • Always Look On…: lightning after they dance in the V, also the background dancers have discs that cause occasional accidental strobe

  • lightning & thunder after cheering

  • “for now, lads” - lighting & thunder

  • “who are these special people?” “well” - downlight spot on quickly with an accompanying thud noise

  • You Won’t Succeed on Broadway: neon around stage appears when he’s lifted on the chair and changes colors quickly

    • “lose” - lots of very quick neon light changes

    • they come back after the Fiddler bit but slower

    • bulb lights turn on and slowly rotate through

    • after the star comes down the bulb lights fast rotate until the scene change

  • His Name Is Lancelot: 

    • after the clothes rip there is a lot of flashing, neon, moving light circles on the ground, a disco ball projection, and side light strobes

    • “round table realness” - low bass & more flashing

    • after signs come on - moving lights on orchestra

    • “he’s gay” - long flash

  • “You’re in a Broadway show” - blue light wash over audience

  • America dancy bit (I have no idea what that means I’m so sorry) - thunder and about ~7 sec of lightning

  • “scary name” - lightning 2-3 seconds

  • “painted teeth” - lightning 2-3 seconds

  • big boom after hand grenade is thrown

  • a seat somewhere in the first few rows of the orch is used for audience participation (like they go on stage), apparently it’s different every night so if you’re worried about this go ask the box office!

  • “the Arthur goes to…” - blue light flashes quickly on audience

  • camera flash, this one is really obvious 

  • blue flash on the audience again as the member exits

  • neon outlines come back during the wedding

  • “musical theatre!” - bulb lights move quickly and continue until the big guy with the fluffy coat enters

  • white strobing downlights at the end of the number

  • lights flash on one by one for bows

  • confetti cannon after the last long “bright”

Content Warnings

  • murder/death

  • depictions of possibly offensive Jewish stereotypes (it’s about halfway through Act II - some folks may find it funny, others may not, it’s about 50-50 in various message boards, just figured it might be good to give a heads up!)