Broadway Access Review -
Boop!
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ID: image of the Boop! Playbill in front of the stage with the text "Access Review" on top
General Note
This is a review of the accessibility of the theater, of the lighting/sound/scent design of the show, and a list of content warnings as a way to prep folks with various needs before they go see it.
This is not meant to scare anyone away from seeing the show. Most productions have about the same amount of content warnings and sensory warnings to go along with it, they’re just rarely explicitly written down.
For some people, knowing these things ahead of time makes it easier to enjoy the show because they know what to expect. And, often, makes those people more likely to see it in the first place. I hope that it’s helpful!
I am also happy to clarify any specifics, just send me a message or an email and I will respond when I can.
Theater
Broadhurst Theatre
All comments on the accessibility of lighting are in reference to seats in the right center of the orchestra
Bathrooms:
divided into the gender binary, though there is a sign saying “Please use the restroom that best fits your gender identity and expression”
located below the orchestra (women’s house left, men’s house right) with the accessible one next to the accessibility booth on the orchestra level
Other theater accessibility:
the theater has a step-free entrance to the entire orchestra
there is no elevator
the theatre offers closed captioning, assistive listening, loop receivers, and audio description devices
Click here for more information on the physical accessibility of this theater.
Light/Sound/Scent
General:
I might recommend earplugs for this show
the back wall is a projection screen that will often have slow expanding visuals that are not always noted here
the theater was very cold the evening I was there
the sensory accessibility of this show is similar to that of Smash, Spamalot, and Hamilton
Pre Show: there is medium to loud volume music playing
Act I:
Opening - this number is very sparkle-heavy
slightly flickery screen and sparkling stars at start
some quick on/off transitions after the backdrop goes up for the dance break - back projection slowly spins during the kickline
projection starts expanding once Betty is center
~5 sec of slow moving white down lights
“If only I could find a way to spend a very ordinary day” - full stage white flashes (very strobey) and smoke for ~45 seconds, though it turns to color and starts spinning around the 30 second mark
In Color - quick on/offs throughout, and alternating downlights starting after “pink!” until the end
Grampy’s goggles cause accidental strobe, they only appear in this one scene
machine flashes & smoke for ~5-7 seconds
I Speak Jazz - slow moving down lights when Dwayne plays trumpet
My New York - flashing down lights in color after the tapping starts (not strobey, but definitely flashy), returning after “you will never leave”
flashy & in motion after Betty and Dwayne sit down
set/projections move in perspective near the end of the song which may be a little dizzying
quick music downbeat after “I’m feeling a little shy”
Where I Wanna Be - lots of on/offs and ~5-7 sec of strobey alternating down lights at the end
Intermission: medium to loud volume music returns
Act II:
Where Is Betty?
3 or 4 newspaper projections fly in, it’s a little flashy
lots of moving down lights & flashy spinning pinwheel projection
Whatever It Takes - very slow expanding projection behind Grampy & Valentina after the set goes out
Take It To The Next Level - slow rotating star projections on all walls for ~20 sec when Raymond stands on the desk
“I know what I want. I want–” big flash and smoke, with blue LEDs pointed at the audience from the sides, followed by another flash
Something to Shout About - very slow expanding galaxy behind Betty at the end of the song
“3 2 1!” - 2 sec flash
expanding projection after “I know how it starts”
The Color of Love - also very sparkly
alternating down lights after “5 6 7 8!”
confetti cannons at the end